![]() ![]() What changed over time, until the so-called 2-step sound emerged, was the addition of further funky elements like contemporary R&B styled vocals, more shuffled beats and a different drum pattern. ![]() Speed garage already incorporated many aspects of today's UK garage sound like sub-bass lines, ragga vocals, spin backs and reversed drums. Labels whose outputs would become synonymous with the emerging speed garage sound included Confetti, Public Demand, 500 Rekords, Spread Love and VIP. During its initial phase, the speed garage scene was also known as "the Sunday Scene", as initially speed garage promoters could only hire venues on Sunday evenings (venue owners preferred to save Friday and Saturday nights for more popular musical styles). Early promoters of speed garage included the Dreem Teem and Tuff Jam, and pirate radio stations such as London Underground, Magic FM, Upfront FM, and Freek FM. Since then, MCs have become one of the vital aspects of speed and UK garage parties and records. The absence of vocals left space in the music for MCs, who started rhyming to the records. DJs would usually play dub versions (arrangements without vocals) of garage tracks, because pitch-shifting vocals could sometimes render the music unrecognizable (although sped up and time-stretched vocals were an important part of the early jungle sound, and later played a key role in speed garage). The media started to call this tempo-altered type of garage music " speed garage", 4x4 and 2-step's predecessor. ĭJs started to speed up garage tracks to make them more suitable for the jungle audience in the UK. Escaping the 170bpm jungle basslines, the garage rooms had a much more sensual and soulful sound at 130bpm. After jungle's peak in cultural significance, it had turned towards a harsher, more techstep influenced sound, driving away dancers, predominantly women. In the United Kingdom, where jungle was very popular at the time, garage was played in a second room at jungle events. it's like a melting pot of young people, and that's reflected in the music of UK garage." History Relationship with jungle MJ Cole once stated, "London is a multicultural city. However, it was not until DJ EZ, the North London DJ, acquired one of Edwards' tracks and played it at a faster tempo in a nightclub in Greenwich, that the music genre really took off. In the early '90s, American DJ Todd Edwards, a pioneer of the speed garage sound, began remixing more soulful house records and incorporating more time-shifts and vocal samples than normal house records, whilst still living in the US. ![]() The evolution of house music in the United Kingdom in the early to mid-1990s led to the term, as previously coined by the Paradise Garage DJs, being applied to a new form of music known as speed garage. The decline of UK garage during the mid-2000s saw the birth of UK funky, which is closely related. UK garage encompassed subgenres such as speed garage and 2-step, and was then largely subsumed into other styles of music and production in the mid-2000s, including bassline, grime, and dubstep. Garage tracks also commonly feature 'chopped up' and time-stretched or pitch-shifted vocal samples complementing the underlying rhythmic structure at a tempo usually around 130 BPM. It is defined by percussive, shuffled rhythms with syncopated hi-hats, cymbals, and snares, and may include either 4/4 house kick patterns or more irregular " 2-step" rhythms. The genre was most clearly inspired by garage house, but also incorporates elements from dance-pop, R&B, and jungle. ![]() UK garage, abbreviated as UKG, is a genre of electronic dance music which originated in England in the early to mid-1990s. ![]()
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